2022 04 10 Alan Storey
Prayer for Peace, Hope and Justice by Gilbert Lawrence.
Palm Sunday was an act of political performance art. The purpose of political performance art is to expose the powers. Exposing the powers to protest the powers. To hold up a mirror to them. To take the micky out of them. It is basically to declare: “The emperor has no clothes”.
Political performance art is all about symbolism and timing and place. Jesus was a whizz at this stuff. He knew how to put his finger on the political nerve of the Roman regime as we will find out again this Palm Sunday. The palm waving parade, complete with a Zechariah inspired donkey ride was political theatre at its best. This was immediately followed by Jesus’ dramatic performance shakedown of the religious powers in showing how to deep clean a state-captured-temple.
Jesus’ performance art would secure his execution for sure. Having peeved off both political and religious big wigs – it was a no brainer that they would come together to vote in favour of his killing. The state would supply the wood and nails and the religious establishment would guarantee divine approval.
It is a dangerous thing to dig up and expose the powerlines of any oppressive regime. Here are a few more recent examples of political performance art. Some explicit. Some more subtle. Some planned long in advance. Some spontaneous.
See the beginnings of the #RhodesMustFall student movement,
with Chumani Maxwele who threw poo on the UCT Rhodes Statue.
He describes in detail all the symbolism that informed the
See Pope Francis spontaneously stop and pray at the Apartheid-Israel wall soon after
praying at the Jerusalem’s Western wall.
And then finally some protest theatre against State Capture way back on 12 May 2013 wonderfully coinciding with Ascension Day. I officiated at a wedding. The couple have been in love for a long time and finally decided to come out in the open and get married.
See 2013 State Capture performance protest from civil society organisations in the city of Cape Town.